26 Février 2012

David Shrigley: Brain Activity at the Hayward Gallery

By Victoria Mendrzyk
 
 
British artist David Shrigley is exhibiting his work at the Hayward Gallery.
 
The Hayward Gallery hold in 2008 an exhibition called Laughing in a Foreign Language. Now they present David Shrigley: Brain Activity, it is the second time that the Gallery holds an exhibition where the artworks refer to humour. The first exhibition was treating humour from a conceptual point of view. The present exhibition of Shrigley’s artworks is simply very amusing. 
Shrigley is best known for his drawings which are witty comments on everyday situations, on death or on sexuality. However the exhibition which is being held at the moment presents works which range through cartoon, animation, photography, drawing and sculpture to taxidermy.
 
Death is probably the theme in which the artist is the most humorous. Taxidermy, because it is made of stuffed animals, expresses it best and is used in surprising contexts. Animals are spread in the rooms: first a headless ostrich, then a dog holding a panel on which is simply written: ‘I am Dead’, further into the exhibition is a rat lying on the floor in the corner of a room and finally a squirrel is gnawing his head instead of a nut. A sculpture is a shopping list solemnly written on a marble gravestone.
 
 

David Shrigley Gravestone, 2008 Image © the artist and Stephen Friedman Gallery, London
 
 
 
Installation view of David Shrigley: Brain Activity at the Hayward Gallery Photo: Linda Nylind
 
 
Shrigley also questions life and sexuality. A small sculpture represents dozens of fictitious small animals which are supposed to live between the fridge and the oven. Often Shrigley changes the scale of everyday objects and uses imagination to sculpt them. You suddenly come face to face with these microscopic dirty and colourful creatures and the result is really amusing. An entire floor is devoted to fictional insects having sex in every possible posture. The painting ‘Hardcore Pornography’ paradoxically shows abstract, geometrical and minimalist patches of colours rather than describing the sexual act as such.
 
Finally art history is one of his subjects. A drawing of a pipe is called ‘This is Nothing’ which refers to Magritte’s famous painting of a pipe. A drawing of a Medusa’s head, whose hairs are snakes, has a text written by Shrigley “This Picture does not do you Justice’. Also, an animation shows a hand switching a light on and off and refers to the contemporary artist Martin Creed. Martin Creed won the Turner Prize with an installation which consisted simply in having the lights turning on and off.
 
David Shrigley’s photographs are probably my favourites. Done while he was a Fine Art student in Glasgow, they are very poetical. They are simply made of a note scribbled on a sheet of paper. The white sheet is then placed outside in a specific location. For instance, ‘River for Sale’ is an advertisement panelled on a real river, a message to search for a non-identifiable lost pigeon is stuck on a tree trunk, or ‘Imagine the Green is Red’ is laid on a lawn.
 
 
 
David Shrigley Lost, 1996 Image © the artist and courtesy of the artist  
 
 
The artist invites us to look at things differently by playing with the space. On the terrace of the Hayward Gallery is a text sculpture saying “Look at this”, there is nothing specific to look at. On the contrary, a photograph in the exhibition has a text indicating ‘Ignore this Building’ in front of a huge edifice. A metallic door is labelled: ‘Do not Linger at the Gate’. High up on the wall is a panel on which is written ‘Hanging Sign’. On a door is written: “Door’. These works are self-referential.
 
To me, his works can be hit and miss, sometimes hilarious sometimes overdone. However it is refreshing and has an interesting display. Definitely worth seeing.
 
 
 
David Shrigley: Brain Activity is exhibited at the Hayward Gallery until the 13 May 2012.
 
Victoria Mendrzyk is the founder of CATIL- Contemporary Art Tours in London (www.catil.co.uk).

laisser un commentaire


La toilette mise à nu

La part animale

L'inclassable Emmet Gowin

Les verts galants

Montmartre au sommet

Femmes berbères du Maroc

Miss Mapple et Mr Thorpe

Si l’Orient Express m’était conté…

Caillebotte à l’état de nature

À l’ouest d’Adams

Le glamour en vogue sur papier glacé

Dries Van Noten dévoile ses sources

Henri Cartier-Bresson : la tête, l’œil et le cœur

Braque met de la couleur aux formes

L’inclassable Félix Vallotton

Le testament Brassaï

Raymond Depardon se souvient

Quand la photo embaume

Rendez-vous en terre inconnue

Ecce homo

Camille Claudel sort de ses réserves

Sergio Larrain, le vagabond solitaire

Cet obscur objet du désir

Ferrante Ferranti, Itinerrances

Costa Gavras, carnets photographiques

Simon Hantaï dans l’art

Ron Mueck s’est fait chair

Photo et photo dans la photo

Keith Haring : pop et subversif

Oscar Niemeyer : de la courbe au cosmos

VENISE, MIROIR CAPTIF DE LA PHOTOGRAPHIE ?

Magiques Philippines !

Impressionnant Boudin

Laure Albin Guillot impose la photographie

La fabuleuse collection d'Howard Greenberg

When Art Foretells a Grim Reality

Chagall, plus touchant que jamais

Fifty Shades of Gray

De mémoire d’éléphant

Mary Cassatt at The Mona Bismarck Foundation

Paris à Hollywood

Clichés de France

Don Manuel

Yue Minjun, le clown chinois

Salvateur Dalí

Edward Hopper ou la fabrique de la mythologie américaine

Nous nous sommes tant aimés

Dialogue sur le Grand canal

Picasso, de Chirico, Léger et Picabia : Une moderne Antiquité, musée Picasso, Antibes

THE ANNENBERG FOUNDATION SUPPORTS FRENCH AND AMERICAN COLLABORATION THROUGH THE AMERICAN FRIENDS OF THE MUSEE D’ORSAY

Le Japon... un an après

Et Helmut Newton créa la femme

Matisse, Matisse, Matisse, …

L’héritage Berenice Abbott

David Shrigley: Brain Activity at the Hayward Gallery

Zarina Bhimji at the Whitechapel Gallery, London

Reflet dans un œil d’or

Une aurore boréale nommée Akseli Gallen-Kallela

Doisneau dans les nuits des Halles

Les Stein : une famille et des peintres

La photographie s’expose

Munch moderne

Louis Valtat : à l’aube du fauvisme

En direct de Art Basel

Exposition Figures & Fictions, Photographie Contemporaine d’Afrique du Sud

Haute voiture

FAUVE QUI PEUT

Holy Daughters par Prune Nourry

« Et à part Monet ? » : les expositions d’art du XIXe siècle à Paris

Basquiat à l’honneur au Musée d’art moderne de Paris

Le rideau tombe sur l’Exposition Universelle

Pierre Ducellier dit Windorf (1944-2007) : un Peintre, deux vies, deux livres

Les grandes ventes d’art contemporain de novembre 2010 à New York

Marrakech Art Fair

Arles en Bleu

LaM s’ouvre - Première exposition publique d’art brut en France

Rashid Rana - Perpétuel Paradoxe - Musée Guimet

Les Rencontres de la Photographie in Arles : 40 years of existence

Happy Days à Aix en Provence- Rétrospective François Arnal

Angel Fernandez de Soto - Christie's Londres

La Peau de l’Ours, André Level et Pablo Picasso

Mind the Gap

Hopper, "Si on pouvait le dire avec des mots, il n'y aurait aucune raison de le peindre"

Art Basel 2010

Une artiste en voie de (pro)création : portrait d’une jeune artiste qui s’empare de la science

David Reimondo à la Galerie DiMeo à Paris

Interview de Mattieu Nicol, un des commissaires et responsable presse/partenariats de REVELATION, foire de photographie contemporaine

Death, Sex, Punishment and Springtime in Paris

Enchères records à New York, Vol record à Paris !

JAMES HOWARD- BLACK MONEY- London, 22 April through 21 May 2010

Débat Street Art à la NM Galerie avec ArtyParade en tant qu'intervenant !

BEN, « strip-tease intégral »

PAUL GAUGUIN, VERS LA MODERNITE

Skin Fruit: Art’s Sweeter on the Inside

Henri Michaux & Franklin Chow : traversée du temps, traversée de l’espace

Une vibration inaudible à l’oreille nue…*

Chic un dessin !

Art Paris, une foire digne d'un chenil !

Parade à l’Armory Show

Créés en 2008, les Brit Insurance Design Awards sont au Design ce que les Oscars sont au Cinéma.

Too great, Toorop !

« Turner et ses peintres » au Grand Palais : coup commercial ou véritable innovation ?

Du nouveau au Louvre ? Oui mais du contemporain !

Have a Coke for Islam! Adel Abidin exposes at the Kiasma Museum for Contemporay Art, Helsinki, Finland February 12th – April 25th 2010

Le design comme invention

Aimer avec un pinceau, éduquer avec un regard

Performance de Fabien Breuvart le soir du vernissage de Paris Photo 2009… ou « l’art brut » photographique

Ventes de New York: Sotheby's 1 – Christie’s 0,5

La Fiac 2009 : une foire enfin internationale à Paris

Feu d'artifice de Fabien Giraud et Raphaël Siboni, FIAC 2009

Avec l’éclatement de la bulle, la Frieze apparaît beaucoup moins pétillante